REVIEW: Dunkirk (2017)

As Nazis push the Allied forces back to the confinements of the Northern French coastline, the British army struggle with the approaching threat from mainland Europe, and the dwindling probability of making it back across the Channel alive. Their only hope of salvation comes in the form of a couple of brave RAF pilots, several plucky fishing boat owners from the shores of Blighty, and that survival-shaped impulse that exists within every soldier.

REVIEW: Spider-Man: Homecoming (2017)

Still reeling from his airport encounter with the Avengers in Civil War, Peter Parker (Holland) is desperate to show Tony Stark (Downey Jr.) that he has what it takes to become a member of the famous superhero team. In his search for acceptance, and his own excitement, his path crosses that of arms dealer the Vulture (Keaton), whose alien-tech integrated artillery poses a significant threat to the people of New York, and ATMs everywhere...

REVIEW: Okja (2017)

After being raised in rural South Korea for 10 years by a young girl named Mija (Seo-Hyun) and her grandfather (Byun Hee-bong), Okja, a genetically-modified ‘superpig’, is taken back to New York for a public event hosted by Okja’s creators, the Mirando Cooperation, spearheaded by CEO Lucy Mirando (Swinton). Mija has other ideas and, with the aid of an underground animal welfare group, a daring rescue mission ensues.

REVIEW: Baby Driver (2017)

Since he was young, talented getaway driver, Baby (Elgort), has been the man behind the wheel for local kingpin Doc (Spacey); driving to the beats of his eclectic music taste to help drown out the tinnitus from a childhood tragedy. When he meets fellow music-fanatic waitress Debora (James), a road out of the criminal life presents itself; one not without its share of blood-shed, however.

REVIEW: The Handmaiden (2017)

Given a 1930’s Korean make-over from its loose source material Victorian Britain setting, The Handmaiden follows young orphaned pickpocket Sookee (Tae-ri) who is enlisted by a con-artist posing as a Count (Jung-woo) to help him bring down wealthy Japanese heiress Hideko (Min-hee). As romance begins to blossom however, who’s really conning whom?